14,000 homes to be built in new housing areas at Sembawang North and Woodlands North Coast

SINGAPORE: Two innovative cover areas in Sembawang and Woodlands may be developed to provide about 14, 000 new houses, including 12, 000 people cover cottages.

At the Housing and Development Board ( HDB) awards ceremony on Tuesday ( October 22 ), Minister for National Development Desmond Lee revealed the plans for Sembawang North and Woodlands North Coast.

The first Build-to-Order ( BTO ) projects in these two housing areas will be launched in 2025, with the rest to follow progressively, HDB said in its press release on Tuesday. &nbsp,

This will provide a sizable supply of affordable housing for Singaporeans looking to live in the north, mainly for families who want to stay close to their parents for assistance and joint care, it added.

According to HDB, the two new housing regions will expand the great geographical distribution of public housing in order to meet Singaporeans ‘ diverse needs.

SEMBAWANG NORTH

Sembawang North will be a 53ha page within the city of Sembawang. It will offer about 10, 000 cover units- 8, 000 BTO flats and 2, 000 secret housing units when thoroughly developed, said HDB.

Given its role as the British Naval Center in the 1920s and subsequent Sembawang Shipyard, the housing development may reflect the city’s maritime heritage and colonial architecture.

The BTO initiatives will incorporate design elements like courtyard designs, pitched roofs, and striking geometric designs, taking inspiration from imperial bungalows.

Nautical factors will also be incorporated into Sembawang North” to build community areas that reflect the unique history of the area,” according to HDB.

” The houses in Sembawang North will be well-served by a complete range of features, ensuring a superior living environment for both current and upcoming inhabitants of Sembawang. &nbsp,

” To provide greater ease and convenience for people, there are plans to develop fresh commercial services, care providers, schools, and places of worship,” HDB said.

Additionally, there will be additional clean and outdoor areas that will provide residents with leisure opportunities.

Continue Reading

Actor Christopher Lee, singer Tanya Chua win at Taiwan’s prestigious Golden Bell Awards

Malaysia-born, Singapore-based actor Christopher Lee, 53, nabbed his fourth Golden Bell Award at the annual awards ceremony in Taipei on Saturday ( Oct 19 ), coming out tops in good old sibling rivalry.

Christopher’s win for Best Leading Actor in a Miniseries or Television Film beat out his younger nephew, 48-year-old Indonesian professional Frederick Lee, who was competing in the same type.

However, Singaporean singer-songwriter Tanya Chua was the happy recipient of her first Golden Bell Award after 27 years in the entertainment industry. She won with Best Original Song. &nbsp,

The awards service, generally regarded as Taiwan’s similar to the Emmys, is Taiwan’s most prominent honours show recognising TV and radio functions. Saturday’s meeting marked its 59th time running.

Continue Reading

Le Sserafim: The K-pop band who want to change the industry from within

Getty Images K-pop band Le Sserafim pose at the top of the Empire State Building in New York while promoting their fourth mini-album, CrazyGetty Images

Hong Eunchae, the youngest part of K-Pop group Le Sserafim, is strutting through Seoul’s legendary Nakwon Instrument Arcade when she suddenly loses her standing.

With a fall, her drink flies into the atmosphere and the 17-year-old falls head-first down a metal stair, getting with a sickening thud on a train surface.

There’s a delay. Finally she sits up with a sigh, fully unharmed, as though this is how she generally navigates the steps.

Instantly meme-able, the scene features in the trailer for Le Sserafim’s third EP, Easy, which was released earlier this year. But Eunchae says it also carries a deeper meaning.

” When I’m following the path I want to follow, tumbling and falling down does n’t matter”, she tells the BBC.

” I usually start over like nothing has happened. That’s the information I wanted to deliver”.

Cause Music Le Sserafim are surrounded by bolts of lightning and sparks of electricity in a promotional photo supplied by their record labelCause Music

Since Le Sserafim were thrust into the spotlight two years ago, for disobedience and perseverance have helped them cut out a market.

With the eccentric energy of Girls Aloud and the impeccable hooks of the Korean pop machine, they’ve released grungy, club-ready songs like Crazy and Antifragile, been nominated for multiple MTV Awards, and collaborated with Nile Rodgers and PinkPantheress.

To a relaxed watcher, the band might seem like the design child group: Coiffed, choreographed and bristling with confidence.

However, they’re surprisingly direct about the unattainable requirements that the business places on women.

On Eve, Psyche and Bluebeard’s Wife (a song named after three women who defied societal expectations), rapper and singer Kim Chaewon speaks about the pressure to perform, even when you’re not at your best.

“Smile bigger for the crowd/ Shut up, shut up, now shut your feelings out.”

On Good Bones, Huh Yunjin snaps back at her critics.

“You think it’s OK to degrade someone/ Just because they’re true to themselves?” she protests over a spiky rock riff.

” As a group, we’re always trying to show that paradox of being sturdy but also being vulnerable”, Yunjin explains.

” But no matter what happens, we’ve got each other and that gives us tenacity”.

Getty Images Le Sserafim play on stage at the Coachella festival in California, with their arms in the "strong man" poseGetty Images

Le Sserafim have an unusual origin story, with members drawn from all over the world at different ages and stages of readiness by their label Cause Music.

Sakura Miyawaki is a showbusiness senior, with expertise in three different bands- KT48, AKB48 and Iz*One.

Aged 26, she’s the oldest Sserafim, and Yunjin calls her” a wall” of power who “always has great tips” about the business.

Chaewon was likewise part of Iz*One, and acts as Le Sserafim’s head, a position she characterises as being” a stone” who “makes all easy” when difficulties arise.

Yunjin was raised in New York and studied opera before entering the rigorous world of K-pop training. By contrast, Eunchae only had 15 months of preparation before making her official debut in 2022. Aged 17, she is nicknamed Manchae – a portmanteau of her name and maknae (막내), the Korean word for “youngest member”.

Previous dancer Nakamura Kazuha, who was swept out of the Dutch National Ballet Academy five times before Le Sserafim’s debut second, was the last to visit. To this day, she feels like she’s playing catch-up with the rest of the staff.

” It’s been two years but every day is a new issue still”, she says.

There was initially a fifth part. Kim Garam made her debut EP, Brave, but she resigned soon after being accused of bullying kids in high school.

Le Sserafim also encountered a few obstacles along the way.

The group apologized earlier this year for allegedly having vocal issues during a California effectiveness at Coachella. Chaewon responded to negative media by claiming that the team had just “become excited and lost handle of our speed” while staging their initial outdoor festival.

A recent behind-the-scenes documentary, Make It Look Easy, exposed more about the pressures the band faced promoting their first album, Unforgiven, last year.

In one scene, Chaewon breaks down in tears and confesses:” I do n’t really know how to be happy”.

” To be honest, I often think about quitting”, she tells an off-camera examiner.

Kazuha also has fears about her acting prowess.

” Sometimes I get super-confident and I’m like,’ I should work harder. I can do this'”, she says. ” But then I lose confidence and I’m like,’ I ca n’t do anything. I have no appeal'”.

Not your typical figurine to sing with.

Yunjin is more flaming. Her British culture gives her a unique perspective on K-Pop’s “idol” economy, and she’s expressed a desire to change it from within.

” Gods need to do this, do that. There are all these unspoken laws”, she says in the film.

” I could feel it when I was a apprentice, but back then I desperately wanted to]make my ] debut, so I only conformed. But after launching I was like,’ Why does it have to be like this?'”

She expresses her frustrations in a single track called I-Doll, which expressly criticizes how products are made of pop stars.

“They pick apart my body and throw the rest away,” she sings. “Idol doesn’t mean your doll to [expletive] with.”

In the past, the 23-year-old has declared she wants to” change the idol industry”, breaking down its” strict standards one by one”.

Le Sserafim purposefully challenge the status quo, which demands efficiency, by being open about their problems, and do so at a time when K-pop musicians are increasingly willing to confront the program.

Earlier this week, a singer with girl group NewJeans testified to South Korea’s National Assembly about the bullying she has faced at work. Last year, the 11 members of Omega X won emancipation from their contract following allegations of “unwarranted treatment” by their label.

Cause Music Le Sserafim promotional shotCause Music

Le Sserafim – who have the full support of Cause Music – put a more positive spin on their story.

Chaewon says the information we wanted to convey through the film was not that our task is difficult and laborious.

Instead, we wanted to draw attention to the fact that we share a lot of similarities with those who continue to work.

” We want to say that you do n’t have to be perfect all the time”, adds Yunjin.

” All faces troubles”, Chaewon concludes. ” So our communication is, this defeat all those troubles together”.

In a cursory market, they make a morality of their errors, projecting them as a power.

Yet the singer’s title is an alias of the word” I’m Fearless”.

Cause Music Members of Le Sserafim are pictured laughing and holding light guns as they enjoy some downtime.Cause Music

Their camaraderie is expressed in songs like Chasing Lightning – where Yunjin is teased for her obsession with Greek yoghurt, and Sakura describes her love of crochet – and their latest single, 1-800 Hot N Fun.

It follows the strap on a day away, kissing strange neighbors, demanding the DJ play Beyoncé, and clinging to the dancing floor until sunrise with a serpentine bass guitar riff.

” I love that song”, says Yunjin. ” It’s almost like a speech, we’re merely all having a talk”.

In the hook, the bandmates keep asking, “Where the heck is Saki?” – their nickname for Sakura – before someone responds, “She’s waiting down in the lobby.”

Does that mean Sakura’s always the first to get set?

“Wow! Wow!” exclaims Yunjin. “That’s actually true! That’s the first time we’ve thought about it that way. That’s genius.”

There wo n’t be much time for partying this year, though. Enthusiasts have speculated that Le Sserafim are working on a novel EP, which would complete a trio of produces called Easy, Crazy, and Popular, while speaking to the BBC in the middle of a long time of TV performances.

The title was mentioned in the Great Bones phrases, but Yunjin skillfully abseits divulging any information.

” Will it even been called Popular? We do n’t know”? she laughs.

” It might be cool, it might be nice. But whatever we come out with, it’ll become flames”.

Based on the evidence thus way, there’s no reason to doubt it… as long as Eunchae avoids stairs.

Continue Reading

IDECS 2024 concludes with initiatives to drive Sarawak’s sustainable digital future

  • 5 victors of Digital Economy Awards 2024 were presented with US$ 2, 300 each
  • signed MoUs with Macro Tech Ventures and Yayasan Hasanah to help local Enterprises

IDECS 2024 concludes with initiatives to drive Sarawak’s sustainable digital future

The Sarawak Government, together with the Sarawak Digital Economy Corporation, Sarawak Multimedia Authority, and Sarawak Information Systems, hosted the 7th International Digital Economy Conference Sarawak ( IDECS) 2024, gathering over 2, 500 participants to explore the impact of artificial intelligence ( AI ) in driving sustainable development.

Under the style” AI for Sustainable Development: Navigating the Green and Circular Future”, the occasion concluded after two weeks of debate and meetings. The conference, which took place between October 16 and October 2017, focused on the impact of AI on green technologies and circular economies, as well as learning from experts in the field of artificial intelligence ( AI ) for sustainability.

Haji Julaihi Haji Narawi, the minister for energy and telecommunications in Sarawak, acknowledged the importance IDECS plays in establishing organizations that are crucial to Sarawak’s financial growth. He continued,” In the past, IDECS has played a significant role in the development of significant organizations like the Sarawak Multimedia Authority and the Sarawak Digital Economy Corporation. These organizations have played a significant role in the development of initiatives and policies to advance Sarawak’s online business method.

At the closing gala dinner, the Digital Economy Awards ( DEA ) 2024, organised for the third time by Sarawak Multimedia Authority, were presented to recipients across five categories, each receiving a prize of US$ 2, 300 ( RM10, 000 ). The finalists include:

    Research &amp, Development Award: Universiti Malaysia Sarawak for developing a smartphone-based diabetes vision screening technique using profound understanding, with fantastic potential for remote care.

  • Evolving Brilliance Technologies Sdn Bhd for POMAS, a approach optimum control system used in the agriculture and coal credit industries, received a Technology Startup Award that coincides with Sarawak’s electric push.
  • MyContent Distribution Sdn Bhd, which promotes the local movie business and helps Sarawak videos get worldwide exposure through platforms like Netflix and Amazon Prime, is awarded the Micro Small Medium Enterprises Award.
  • Digital Government Award: Sarawak Civil Service Digitalisation Unit for its SCS Mobile initiative, enhancing government services ‘ digital transformation for greater transparency and efficiency.
  • Sustainability Award: Sarawak Forest Department for its Greening Sarawak Campaign, which incorporates AI and satellite systems for forest landscape restoration and aims to grow 35 million branches by 2025.

Additionally, the Premier’s Digital Economy Award, worth US$ 4, 600 ( RM20, 000 ), was awarded to a winner selected from the recipients of these categories. The award was established to recognize electronic initiatives that use AI to change Sarawak into a leading online society. Participants from various industries, including public and private industries, GLCs, Institutes of Higher Learning, NGOs, and individuals, were assessed based on factors such as online strategy development, project implementation, technology, and multi-stakeholder engagement.

Memorandums of Understanding ( MOUs ) with partners Yayasan Hasanah and Macro Tech Ventures were also included at IDECS 2024 to support local MSMEs and advance digital transformation. Another significant events included the Huawei-sponsored Digital Art Festival and video lessons for the Founder’s Forge and Capture the Flag programs, which emphasized youth involvement in innovation and security.

The prizes are” not only about honoring accomplishments but also about inspiring potential technology.” Sarawak’s online future lies in the hands of thinkers, inventors, and entrepreneurs – those who dare to think differently, work, and push the envelope in way that will bring about lasting change”, said Haji Julaihi.

” Through categories such as the Micro Small Medium Enterprise ( MSMEs ) Award, the Research &amp, Development Award, the Technology Start-Up Award, the Digital Government Award, and the Sustainability Award, we are shining a spotlight on those leading the charge in these critical areas”, he added.

Earlier in the day, witnessed by Roland Sagah, Minister for Education, Innovation, and Talent Development Sarawak, more Accords were signed, aimed at empowering regional MSMEs and driving online change. Yayasan Hasanah, Macro Tech Ventures Sdn Bhd, and Dynamik Technologies Sdn Bhd, among others, were the partners in the partnerships.

The immersive Huawei-sponsored Digital Art Festival was also available to school students and the general public. For the Founder’s Forge and Capture the Flag programs, there were demo and pitching sessions, among other notable activities. Founder’s Forge is a six-month pre-accelerator initiative aimed at early-stage entrepreneurs in Sarawak, emphasising innovation and business development, with pitches highlighting their progress. Meanwhile, Capture the Flag, a cybersecurity hackathon organised by Curtin University Malaysia and SDEC, provided insights into ethical hacking through real-time problem-solving.

Both programmes focused on fostering youth engagement in ethical, human-centred technological innovation and advancement.

In Haji Julaihi Narawi’s keynote speech, he underscored the vital role of innovation and digital transformation in Sarawak’s future, highlighting the Government’s ongoing efforts to harness AI and big data to drive economic growth, social inclusivity, and environmental sustainability under the Sarawak Post Covid-19 Development Strategy and Sarawak Digital Economy Blueprint 2030.

Continue Reading

Nobel economics prize awards notion of Western supremacy – Asia Times

For their significant contributions to how organizations influence economic growth, Daron Acemoglu, Simon Johnson, and James Robinson were each awarded the 2024 Nobel Memorial Prize in Economics. Some may argue that it was long overdue to honor these scientists the Nobel.

One of the most frequently mentioned in finance is the document that served as the foundation for their work. Acemoglu and Robinson’s following book, Why Governments Fail, has also been enormously important.

Congratulations are in order in that regard because these works have sparked a lively discussion about the relationship between cultural institutions and economic development. They have even drawn a lot of censure, though. It is appropriate to identify the flaws in their analysis in the wake of the award.

The most significant criticism centers on the relationship between a nation’s level of social development and the quality of its political institutions. Acemoglu, Johnson and Robinson’s job split organisations into two groups: “inclusive” and “extractive”.

Equitable institutions – such as those that enforce property privileges, protect politics and control corruption – foster economic growth, according to the laureates. In contrast, industrial institutions, which give rise to a higher concentration of power and limited social freedom, get to focus resources in the hands of a tiny elite and therefore stifle socioeconomic development.

The winners assert that the establishment of diverse establishments has had a beneficial long-term impact on economic growth. In fact, these organizations are present mainly in high-income nations in the west.

A big problem with this study, however, is the state that certain organizations are a requirement for economic growth.

Mushtaq Khan, a professor of economics at Soas, University of London, has analysed Acemoglu, Johnson and Robinson’s work thoroughly. He contends that it primarily demonstrates that today’s high-income nations perform better on institutional standards from the West, rather than that economic growth was achieved as a result of the establishment of inclusive institutions by state.

In fact, there are numerous instances of nations growing quickly without having these diverse organizations in place as a prerequisite for development. South Asian states such as Singapore, South Korea and Taiwan are good examples. Most lately, so too is China.

The problem epidemic in China during the development process was detailed in Yuen Yuen Ang’s award-winning books on the subject. In response to this year’s Nobel Prize, Ang went so far as to claim that the laureates ‘ theory does not adequately account for growth in both China and the West. She makes the case that during the creation process in the US, establishments were smeared with corruption.

Ignoring the cruelty of colonization

Governments are not bad to do some of the diverse organizations outlined in Acemoglu, Johnson and Robinson’s job. Another alarming aspect of their research is that it legitimizes American institutions and, at worst, colonialism and colonization.

Their job has, however, been criticized for not paying attention to the cruelty of imperialism. To know this criticism, we must dig a little deeper into their procedures.

The laureates establish their state by comparing settler colonies to non-settler colonies for long-term development. In resident provinces, such as the US, Canada and Australia, Europeans established diverse institutions. But in non-settler provinces, which include large pieces of Africa and Latin America, Europeans established industrial organizations.

Acemoglu, Johnson and Robinson place out that, over time, settler provinces do better. Western institutions are therefore better for growth, they argue.

However, it’s a secret that the laureates do not explain colonization in more general terms given that the process of colonization is a key component of their papers.

Years of murder, in many cases evoking the genocide of local populations, predated the development of such institutions yet in settler colonies, where equitable institutions were gradually established. Should n’t this be taken into account when developing?

An illustration showing changing economic fortunes.
According to this year’s awardees, Europeans settled in the poorest and most poorly crowded areas, and introduced organizations that contributed to long-term success. Johan Jarnestad / Nobel Prize Outreach

Instead of arguing whether imperialism is good or bad, Acemoglu said,” We note that different colonial methods have resulted in different institutional trends that have persisted over moment,” the awardee added.

Why does Acemoglu not care whether imperialism is good or bad, as some might discover from this statement? But for those familiar with the inner workings of the economics discipline, this statement does n’t come as a surprise.

Unfortunately, the absence of a ethical glass or value judgments has unfortunately become a badge of honor in mainstream economics. This is a more important aspect of the discipline, which in turn explains why economy has become more remote and isolated from different social sciences.

The Nobel prize in economics, which really was n’t among the five original Nobel awards, also illustrates this problem. The list of previous winners is small in terms of both geographical and organisational scope, primarily made up of economists who are graduates of economics faculties at a select few elite US universities.

Additionally, a recent study found that economics awards are much more concentrated in the administrative and regional areas than in other academic areas. Nearly all of the major award winners have had to travel through one of the major US institutions ( with a cap of less than ten ) throughout their careers.

This month’s Nobel Prize in economics is no exception. Perhaps this is why it seems like each year the winner is chosen over those who ask “how does a change in changing X affect variable Y” rather than posing complex questions about colonialism, imperialism, or capitalism and waging a challenge on the legitimacy of European institutions.

Jostein Hauge is associate professor in development research, University of Cambridge

The Conversation has republished this post under a Creative Commons license. Read the original content.

Continue Reading

Finalists for Mediacorp’s Pinwheels awards for digital content creators include Ghib Ojisan, MunahHirziOfficial

The finalists of this year’s edition of Mediacorp’s The Pinwheels&nbsp, were announced on Tuesday ( Oct 15 ), with many familiar faces making the cut. The next iteration of the honours does have 10 groups, including the brand new Most Artistic Video group:

The finalists will be revealed at a live meeting on October 25.

Here are the contenders:

Material Creator of the Year – Exiles, &nbsp, Mothership, SeeMin Ng and OGS

Content of the Year – Daskinno, Only Stay Thinking, OGS and Heymarkeh

Most Creative Video&nbsp, – Stephen Zechariah International, Exiles, Mothership and KindnessSG

Best Newcomer&nbsp, – Tanglish Studios, Double Up, 4onetravels and SeeMin Ng

Best Drama Video&nbsp, – Wah! Banana, Tsqfilms, Real Horror Stories POV and UXM

Best Attitude Video&nbsp, – Dargoyaki, The Analytical Cook, TheSmartLocal and SeeMin Ng

Best Collaboration Video&nbsp, – miludinosaur, Outsiders, Overkill Singapore and MunahHirziOfficial

Best Non-Fiction Video&nbsp, – Ghib Ojisan, Exiles, OGS and MunahHirziOfficial

Most Modern Video&nbsp, – Overkill Singapore, Really Keep Considering, OGS and Mothership

Most Social Good Video&nbsp, – Mothership, OGS, 4onetravels, CineGangSG

The Best Newcomer and Content Of The Year awardees stand to win a S$ 5, 000 ( US$ 3, 800 ) production grant, while Content Creator Of The Year winner will take home a S$ 10, 000 production grant.

Dick Lee, He Shuming, He Shuming, and Virginia Lim, the main content officer of Mediacorp may decide the success of The Pinwheels 2024.

Later on, people can see the event on Mediacorp Entertainment’s YouTube stream and mewatch.

For more information, nose to the official site of The Pinwheels.

Continue Reading

Han Kang, South Korean fiction writer and poet, wins Nobel – Asia Times

Poetry is frequently written in appealingly brilliant and quick prose when it’s written in a novel. The Vegetarian ( 2007 ) by Han Kang is a prime example of this work, and it is undoubtedly the one that had a major impact on the Swedish Academy’s choice to give her the Nobel Prize in literature in 2024. The commission praised Kang for winning the prestigious prize because of her “innovator in fashionable prose” and poetic and empirical style.

Han Kang is the first North Korean author to receive the Nobel Prize in Literature, joining the other 18 women to have received the award in its 121 victors over 117 years. She was born in 1970 in Gwangju, and she has received numerous other notable national and international awards, including the Prix Médicis Etranger in 2023 for her book Difficult Goodbyes. She was even awarded the International Booker Prize in 2016.

The Vegetarian is Kang’s best-read job. It was published in 2007 and translated into English for use in the UK and the US in 2016. The name was appropriate because it coincided with a rapid rise in people becoming vegetarians and vegans, especially in the UK.

The book considers the effects of becoming vegetarians when everyone around you consumes meat, even though it is not a vegetarian manifesto. It conveys protagonist Yeong-hye’s struggle to maintain bodily firm in response to her father’s disgust at her determination ( he sees it as rebellion ), her brother-in-law’s romantic fascination with it and her husband’s violent acts, force-feeding her meat.

The Vegetarian is described as an anti-capitalist and ecofeminist protest that provides an expanded perception into masculine power of the adult body.

The tale perception and voice changes in each section of the book, which are organized into three parts. In the history of her own system and the choices she makes about it, Yeong-hye is not a first-person speaker. This glaring absence of tone seems to have been appropriate for the Nobel Prize. The committee argued that the writer’s devotion to “invisible sets of rules” and” the weakness of human life” was a factor in her choice because of her “unique consciousness of the contacts between body and soul.”

Although they are less well known and have more mysterious themes, Han Kang’s writing and short stories are just as impressive and significant as her novels. Her poetry often explores places ( walking on the city street ), juxtaposed with objects ( streetlamps, candles, mirrors ) and the fragmented human body ( a hand reaching out, fingertips, frozen cheeks, tongues, eyelids ).

We Do Not Part, her most recent book, may be published in English in February of next year. At least in terms of subject matter, We Do Not Part is perhaps more mysterious and complicated than The Vegetarian. After Inseon is hospitalized following a wood-chopping accident, Kyungha visits her companion Inseon’s remote home to care for a puppy animal. Trapped by a storm, she uncovers characters from the 1948-49 Jeju slaughter, in which around 1, 000 people were killed.

Responses to Kang’s get

There has been extensive praise for this year’s win. The Washington Post recognizes the medal as a possible resource for other Asian authors. The Guardian, however, acknowledges Kang’s accolades and expands on the agency’s reasons for awarding the prize: her emotion, distinct consciousness, experimental style, and “metaphorically charged prose”.

The award for writing is often questionable. Online forums debunk the legitimacy of victors and make complaints about the choices ‘ politics. Some observers are offended if the artist is very mysterious, as was the case with Norway Jon Fosse, who won in 2023. They are extremely offended if the prize is given to a figure who is too conventional, as it was the case with Bob Dylan in 2016.

The efficiency of Kang’s language and the nearby sensitivity of her writing, which brings Asian history and places to a worldwide audience, make her job innovative and compelling both in both form and content. A worthy success.

At Nottingham Trent University, affiliate teacher of colonial and world literature Jenni Ramone.

This content was republished from The Conversation under a Creative Commons license. Read the original content.

Continue Reading

Singaporean singer Tanya Chua wins award for best original song at South Korean awards show

Asia Contents Awards & Global OTT Awards, the fifth book of the South Vietnamese awards show, took place on October 6 at the&nbsp, Busan Cinema Center. Organised by Busan International Film Festival, the opposition celebrates&nbsp, material made for TV, online and over-the-top programs across Asia.

Asia Contents Awards &amp, Global OTT Awards 2024 was hosted by North Vietnamese actor&nbsp, Kang Ki-young and Girls ‘ Generation part Tiffany Young, and saw several winners from the likes of South Korea, China, Kazakhstan and Thailand.

Tanya Chua, a Taiwan-based former Singaporean singer, was recognized that evening for winning the award for the song&nbsp, Learn To Live Repeatedly, the line ‘ ending theme, Imperfect Us.

Continue Reading