Deng and ‘Gee, whiz’: the 1st PRC-based US reporters

The deterioration in Sino-American relations in recent years has led, among many other consequences, to a dramatic drop in the size of the American press corps based in China.  For reasons that include expulsions and visa denials, the number of American journalists on the ground in China is lower than at any time in decades. It’s an appropriate time to look back on the pioneering generation of reporters who opened the first US news bureaus in China after the establishment of diplomatic relations in 1979. Their stories are recounted in this excerpt from Assignment China: An Oral History of American Journalists in the People’s Republic, a new book by Mike Chinoy, who served as CNN’s first Beijing bureau chief.Editors

With the establishment of diplomatic relations, the Chinese government agreed to allow American news organizations to open bureaus in Beijing, and the Carter administration welcomed Chinese journalists to be based in Washington. For the newly arrived American reporters, Deng Xiaoping’s policies of economic reform and opening China to the world up after the isolation of the Mao years was the major story.

Sandy Gilmour had been the NBC News Houston correspondent when asked by the network to open its bureau in Beijing.

Sandy Gilmour, NBC News, reporting from Shenzhen, Photo courtesy of Sandy Gilmoour

Sandy Gilmour, NBC News:

Clearly the primary story was the economic opening to the West, China beginning to develop some semblance of private enterprise, to reform this socialist command economy. I tried to do as many stories along those lines as I could. And slice-of-life. Those kinds of stories were always very popular. You could go out on the street, and you could shoot street scenes, bicycles, people walking, the cabbage piled up on the sidewalks in the wintertime for storage, stores and shops and so forth. You could go up to people and ask them questions, although many didn’t want to answer because they were afraid of the potential consequences, even if it was a nonpolitical question such as “How do you enjoy life?” But to get into a Chinese enterprise, to go to a collective farm, a factory, those kinds of things took weeks and weeks of preparation, of phone calls, of begging and pleading and wheedling with the office in the Foreign Ministry that permitted correspondents to get out and do their business. It was extremely frustrating.

§

CBS sent Bruce Dunning, who had spent years covering the war in Vietnam.

Bruce Dunning (1940-2013). Photo: the Foreign Correspondents’ Club of Japan

Bruce Dunning, CBS News:

A lot of us were trying to counteract the years of “Red China Menace” kind of stories and say, “These are people.” It’s the largest country in the world. What are they really like? There was generally a lot of good feeling. Early on, you could get almost anything on the air. There was just that novelty, you know: We have a bureau in Beijing. We have a presence in China. They were willing to put almost anything on the air.

§

Jim Laurie, who arrived for ABC News, also had covered Vietnam and had been one of the few American journalists to stay in Saigon after the Communist victory.

L-R, Frank Ching, Wall Street Journal, and Jim Laurie, ABC News, with Deng Xiaoping, Beijing, January 1979. Photo courtesy of Jim Laurie

Jim Laurie, ABC News:

In the early days, the opening of China to the West, there was a “gee whiz” mentality. If you go back and look at the programming on ABC, NBC and CBS in 1979, that is very much reflected. China opening up. Every little innovation that was part of the reform program that Deng was outlining was seized upon. The first private restaurant. The first private car. It was all a series of firsts. There was an insatiable appetite for slice-of- life stories, particularly if you could get good images. It’s hard to understand now, but you’ve got to realize that in this period, ’79 to ’83, this was “coming out” for China. Very little had been seen of China, especially by American TV viewers. So almost anything that was visually interesting went.

§

Bruce Dunning, CBS News:

We did stories on private restaurants. People would set up restaurants in their homes and those were some of the first examples of private enterprise.

I remember when free markets began to show up on the outskirts of Beijing, just a few farmers setting up primitive benches and selling produce, but it was such an improvement over the state stores and the quality of produce just increased remarkably.

§

Linda Mathews, who had been working in Hong Kong for the Asian Wall Street Journal, opened the Los Angeles Times bureau.

Linda Mathews, Los Angeles Times:

On Good Friday 1980, some of the churches were just being reopened after being shut down during the Cultural Revolution. We walked into a church and met this bishop named Moses Xie. There was a choir practicing for Sunday services, and they had hand-lettered hymnals because the real hymnals had been burned during the Cultural Revolution. They were singing in Chinese, “Rise up, you men of God.” It was a magical moment to be in a Chinese church, which had been a factory for years and years, and here was a choir and a couple of Jesuits.

Linda’s husband Jay, who had studied Chinese at Harvard, became the Washington Post bureau chief.  They faced a special problem, as neither of their papers was happy having its correspondent married to the competition.

Jay Mathews, Washington Post, and Linda Mathews, Los Angeles Times, at the Ming Tombs, Beijing, Photo courtesy of Jay and Linda Mathews

Jay Mathews, Washington Post:

The Washington Post had a tradition of correspondents signing a letter of understanding before they went overseas. There was a paragraph in my letter which said, Don’t you dare ever be beaten by your wife on any kind of story, and if you can beat her as often as possible, that’s fine. And I signed that very happily. But we’ve learned, as correspondents go overseas, that they do team up.

§

As part of his reforms, Deng Xiaoping authorized the establishment of four special zones along the country’s southeastern coast as laboratories to experiment with market-style economics, and, he hoped, spearhead economic growth. For the first time since the Communist revolution, capitalist activities such as private enterprise and foreign investment were not only permitted but actively encouraged. The first zone was Shenzhen, at the time just a small fishing community directly across the border from Hong Kong.

Frank Ching, born in Hong Kong, edited China stories for several years for the New York Times. In 1974, he returned to the territory to join the Asian Wall Street Journal before being assigned to Beijing.

Frank Ching, Wall Street Journal:

Shenzhen was nothing. A little village, very few people. When you first went down, there was nothing to see. They hadn’t done anything yet. But they talked about their plans. Now there are millions of people. It’s incredible that China could build up a city like this almost overnight.

§

Liu Heung-shing, who had also been born in Hong Kong, joined the Associated Press bureau in Beijing.

Coca-Cola’s entry into the China market was a huge story. Here’s is a famous shot by Pulitzer Prize-winning photojournalist Liu Heung-Shing. Source: YouTube

Liu Heung-Shing, Time, Associated Press:

They were laying out their blueprints and telling us where they’re going to build a highway and where they’re going to build a Holiday Inn hotel and convention center, where they’re going to build the port. And the reaction from my colleagues on that trip was that, “Yeah, right.”

§

Like Jay Mathews, Richard Bernstein had studied Chinese at Harvard. He had been serving as Time magazine’s Hong Kong correspondent.

Richard Bernstein, (Time,) on a train, Photo courtesy Liu Heung-Shing

Richard Bernstein, Time:

I think what we got wrong was, we totally underestimated the ability of China to change rapidly. Nobody could have predicted. We certainly didn’t predict the extent to which China would become a country like a lot of others.

§

Some of the most dramatic changes began to unfold in the countryside, where Deng Xiaoping authorized the breakup of that symbol of radical Maoism, the people’s communes. The collective farms, set up during the Great Leap Forward in the late 1950s, were replaced by a system of household family farming that sharply boosted rural incomes.

Melinda Liu, a Chinese American from Ohio, opened the Newsweek bureau.

Melinda Liu, Newsweek:

The People’s Commune system was such an icon of Maoism. The fact that it was being broken up into family-based farms, which turned out to be much more productive than the big collectives, was very telling. On the group visits, the challenge was, how do you get anything out of it that’s not the same as everyone else? There was one of these group visits to Anhui where a People’s Commune was being literally parceled out. I kind of infiltrated a family and they were so excited and really happy. One farmer was like, “Yeah, I got such and such a plot, [of land].” They had even divided up the wheelbarrow so that someone had half, and someone had the other half. “My neighbor got the wheel, and I got the rest of it.” And I’m like, “How is that going to work?” But they were so happy.

§

Indeed, as the Mao years faded into memory, the dominant theme in the China of Deng Xiaoping was hope.

Jay Mathews, Washington Post:

We were fairly hopeful. This very strong culture was coming back, was building businesses, was creating a government that was more responsive to the people’s needs, was letting people talk more freely, if not in the public press. That was unleashing all kinds of interesting and hopeful changes in the way Chinese were going about their livesand producing flashes of humor, creative art, filmmaking, things they hadn’t had before and were going in interesting directions. I am an optimist, so I was always looking to see the glass half full, and I thought the glass was really getting much fuller.

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Mike Chinoy, a non-resident senior fellow at the University of Southern California’s US-China Institute, spent 24 years as a foreign correspondent for CNN, serving as the network’s first Beijing bureau chief and senior Asia correspondent. He won Emmy, Dupont and Peabody Awards for his coverage of Tiananmen Square. He is the author of five books including China Live: People Power and the Television Revolution; Meltdown: The Inside Story of the North Korean Nuclear Crisis; The Last POW; and Are You With Me: Kevin Boyle and the Rise of the Human Rights Movement. This excerpt adapted from his Assignment China: An Oral History of American Journalists in the People’s Republlic, is copyright © 2023 Columbia University Press. Used by arrangement with the publisher. All rights reserved.

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Watch the video: K-pop supergroup BTS’ Jungkook releases solo single Seven

Jungkook, a member of K-Pop supergroup BTS, officially launched on Friday (Jul 14) his solo career with the release of single Seven, a track also featuring American rapper Latto.

BTS is on temporary break as a group with two of its seven members currently doing mandatory military service in South Korea, but other members are continuing to carry out solo projects and concerts.

The group have gained a huge international following after breaking ground for K-pop’s global success including in the US music charts and industry awards.

The video for Seven – described by his music label as an invigorating summer song – was also revealed on Friday and includes an appearance by South Korean actress Han So-hee.

His label BigHit is part of South Korean entertainment company HYBE and also manages BTS.

Ahead of his official solo debut, Jungkook previously released two free singles.

Fans have been camping out for days to get a chance to see the K-pop star perform his new song in New York’s Central Park on Friday.

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FinanceAsia Volume Two 2023 | FinanceAsia

By now, most of our subscribers will have received print editions of the latest FinanceAsia Magazine: Volume Two 2023. 

Over the course of the summer, we look forward to sharing online our in-depth magazine features, including the detailed rationale behind our jury’s selection of winners across our recent flagship FA Awards process.

You can access the full online edition here.

To whet your appetite, read on for our editor’s note.

Positive predictions

As a snake (according to the Chinese zodiac), I have so far fulfilled my Year of the Rabbit prophecy in securing opportunity for career growth within the Haymarket Asia business. A successor will soon have the good fortune to step up as editor in my place, as I become content and business director and oversee the editorial strategy of our finance publications: FinanceAsia, CorporateTreasurer and AsianInvestor.

It is said that those born in 2023 will be blessed with vigilance and quick-mindedness. Very useful personality traits, I would think, as artificial intelligence (AI) advances globally, at pace. We are witnessing great development in this field in Hong Kong – and across the wider Asian economy, as emerging tech becomes the next positive disruptor and the capital markets work to respond through evolving regulation and new listing regimes.

In this summer issue, Christopher Chu delves into the value disruption put forward by generative AI, with consultants estimating its worth to breach $16 trillion by 2030. He explores its sophistication and how its potential is interwoven with political factors, while questions are posed around data ownership.

Also intertwined within the realm of transformative technology, is this edition’s flagship interview with BNP Paribas’ CEO for Asia Pacific, Paul Yang. He shares his journey navigating a career path that has taken him from IT coding in Paris, to leadership of the bank’s Asia Pacific business. He offers insights around his accomplishments to date and details plans to progress the bank’s 2025 Growth, Technology and Sustainability (GTS) strategy.

Reviewing activity across Southeast Asia, Liza Tan inspects the market’s prominent position in the ongoing start-up story, through assessment of the current venture capital (VC) fundraising landscape. Her discussion with experts asserts that fintech is inherently fused with human approach and that quality conversations and connections are key to future success.

Indeed, as FinanceAsia’s recent in-person awards celebration underlined, we have much to look forward to in the second half of the year and it is the human elements involved in dealmaking that have capacity to shape the road ahead. I think we all agree that recognising and nurturing talent is vital and so I hope you enjoy reading our evaluation of market resourcefulness, ingenuity and skill that informed the jury’s selection of award winners, amongst truly outstanding competition.

Finally, Sara Velezmoro and I explore the outlook for Asia’s debt capital markets – investigating what opportunity is on offer alongside the changing environment; and whether the momentum surrounding Japanese equities can be sustained, if the government were to reverse yield curve control.

Amid uncertainty we must focus on potential, so please join me in acknowledging the positive strides being taken by Asia’s market movers.

Ella Arwyn Jones

(Please feel free to send feedback or suggestions to [email protected])

 

¬ Haymarket Media Limited. All rights reserved.

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Coco Lee: The pioneering singer who charmed the world

Coco Lee at Hainan Island International Film Festival in 2020Getty Images

Millions of Asians tuned in on their television and mobile screens on what a Monday in March 2001 to watch Coco Lee sing A Love Before Time – the stirring theme from the acclaimed film Crouching Tiger, Hidden Dragon – at the 73rd Academy Awards.

Donning a red qipao, a traditional Chinese outfit, and golden chandelier earrings, Lee sang alongside a group of kungfu dancers, becoming the first Chinese-American to perform at the Oscars. The song was also nominated for best original song that year.

The then 26-year-old spoke of her ambition to leave an Asian footprint, literally, on the international stage. “I could sing for 30 years and never get the chance to perform like this,” Lee had said of the ground-breaking performance.

Lee died in Hong Kong on Wednesday at the age of 48. Her sisters, who broke the news on social media, said she had been suffering from depression for a few years and tried to take her own life on Sunday.

Long before representation became a talking point in entertainment, Lee became one of the first Asian singers to shoot to fame on both sides of the Pacific.

Born Ferren Lee on January 17, 1975, in Hong Kong, she moved to the US with her family when she was a secondary school student. After graduating from a public high school in California, she returned to Hong Kong, and then moved to Taiwan to launch her singing career. She soon broke into the Mandopop scene in 1994 with two albums.

Within a few years, she released English-language albums and crossed over to American charts. Disney hired her to voice the lead character in the Mandarin version of its hit film Mulan, for which she also sang the theme song, Reflection.

Her hit Before I Fall in Love made it to the soundtrack of the Julia Roberts-and-Richard Gere film Runaway Bride; and Do You Want My Love soared to the fourth spot on the US Billboard in 2000.

Coco Lee performing with Johnny Legend in 2011 in Beijing

Getty Images

Lee will be remembered for “laying the groundwork, culturally and musically,” in bridging the gap between East Asian and Western audiences, entertainment blogger Brandon Lewis told the BBC. Some fans likened her to Mariah Carey.

She holds a special spot among Chinese millennials who grew up listening to her music in Mandarin and English. It was a time when Mandopop flourished as economies like China, Taiwan, Hong Kong and Singapore boomed. Amid a sea of demure female singers crooning ballads, Li Wen – as she is known in the Chinese-speaking world – stood out with her confident image, sexy dance moves and brightly-coloured locks.

One of her songs Di Da Di, a Chinese cover of a Danish pop song, became an instant hit and a karaoke staple after it appeared in an advertisement in mainland China.

Behind the fame and flamboyance, Lee remained close with her mother and sisters.

In the early years of her career, her sister Nancy served as Lee’s wardrobe consultant, public relations officer and makeup artist – including on Oscar night – while her mother was manager and accountant. It was in fact Nancy who suggested the moniker Coco.

As a child, Lee had wanted to follow in her mother’s footsteps to become a doctor. She initially tried to juggle singing with pre-medical studies in university, but eventually left school to focus on her pop career.

In an Instagram post on Wednesday, Lee’s sisters Carol and Nancy spoke poignantly of how their younger sister “worked tirelessly to open up a new world for Chinese singers in the international music scene”.

Coco Lee performing with the Black Eyed Peas in 2011 in Beijing

Getty Images

“She went all out to shine for the Chinese. We are proud of her,” they wrote.

Lee’s death came as a shock to fans and fellow artistes who remember her for her shiny smile and exuberance on stage. Inevitably, it sparked a discussion about mental health on social media.

Crouching Tiger, Hidden Dragon director Ang Lee said he was “very shocked” to hear the news, and star Jackie Chan said Lee had “such great talent and unique personal style” and was “born to be a star”. “There will be one more star in the sky from now on,” he added.

On YouTube, where fans are re-watching Lee’s music videos and leaving tributes, one comment read: “I hope Li Wen can continue singing up in heaven, far away from pain and illness. Your song will forever live in our hearts.”

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Taiwan celebrates linguistic diversity at annual music awards

“My friend asked me, why don’t you sing good songs in Chinese?”, Peng said upon receiving the prize in Taipei. “I don’t think there should be language restrictions on singing.”

Cheng, speaking in Mandarin, thanked the Taiwanese language for “teaching me how to bow my head and slow down”.

In the indigenous language category, the Paiwan singers Kasiwa and Matzka rapped and sang in their native tongue, with Kasiwa getting the prestigious jury award.

While Taiwan has only 23 million people, its music scene has an outsized influence in the Chinese-speaking world, in part due to creativity unhindered by censorship.

Taiwan President Tsai Ing-wen wrote on her Facebook and Instagram pages that at the show the love of music had “eliminated language boundaries between different ethnic groups”.

“Here, no matter what language everyone uses Taiwanese, Hakka, indigenous languages, Mandarin, English and Japanese  they can all sing freely, which also brings us together.”

Disco queen Ouyang Fei Fei, one of two special contribution award winners and as famous for her big hair as her big voice, broke through in Japan in the 1970s singing in Japanese.

“Singing and performing have always been my dream. If I can, I will continue to sing and never give up,” Ouyang, now 73, told the audience.

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Gurus tout incoming ‘Thai wave’

Thailand has been voted as the most likely country in Asia to enjoy a boom period in its content industry on the scale of the so-called Korean Wave.

At the Asia Video Summit 2023, held in Hong Kong by Asia Video Industry Association last week, 180 participants from 22 countries were asked to vote in e-polls.

When asked, “In the coming years, which market is most likely to emulate the regional success of the Korean content industry?”, 40% of respondents chose Thailand while 16% chose Mainland China and 13% chose Indonesia.

The participants come from the TV, streaming, marketing, telecommunications and technology industries, as well as policymakers and content creators.

Pirongrong Ramasota, commissioner at the National Broadcasting and Telecommunications Commission (NBTC), who spoke in a session entitled Thailand’s Time, said Thai audio-visual content has won various prominent international awards and has been welcomed in various countries.

However, Thailand still lacks strategic support, partly due to inter-agency problems. The NBTC was ready to host talks among agencies to find a shared direction to promote Thai content production and distribution, she said.

Meanwhile, as the lack of level playing field between local and international digital platforms is hindering Thailand’s prospects, the NBTC aims to find ways to create a suitable ecosystem for free and fair competition.

Light-touch regulation and the promotion of self-regulation or joint community standards are possible measures, Ms Pirongrong said.

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Commentary: Has reading for pleasure vanished from our lives forever?

RE-READ BOOKS FOR COMFORT

I’ve read so much in my youth that those stories still live in my head. I don’t feel the pull of new novels as I did when I was younger. Besides, between news and social media, reading a book can feel like more work.

I’m not alone. Studies show people are reading much less now with our devices, our brains attuned to constant stimulation and instant gratification, with information at our literal fingertips.

Ask the right question and Google will tell you the answer. As a person who used to hate knowing the endings of intriguing stories, I find myself on Wikipedia searching for exactly that.

Occasionally, I pick up one of the 30 books always surrounding me and pat it with great affection before indulging in a poem, short story, or essay I’ve read many times before. Reading a familiar piece offers bite-sized morsels of nostalgia and a sense of comfort, but that feeling doesn’t last.

If we want to read for pleasure again, it can be done. Our brains are wonderful, pliable things and we can rewire them to slow down and slip us back into other worlds, into other dimensions, down the rabbit hole.

It may feel uncomfortable initially, but read a little each day. Schedule time for it – first a chapter, then two.

Re-read your favourite books first. The familiarity helps immersion. Then, when you’re back to reading a novel all the way through again, try something new.

My plan is to reach old age and hopefully still have my eyes to enjoy reading once more. I just put reading for pleasure on my bucket list. It may not happen this year or next year, but one day I will.

Christina Sng is a poet-writer-artist and the first Singaporean to win three Bram Stoker Awards.

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Singapore’s Odette named Best Restaurant in Asia at World’s 50 Best’s 2023 awards ceremony

The World’s 50 Best Restaurants 2023
    1.    Central, Lima
    2.    Disfrutar, Barcelona
    3.    Diverxo, Madrid
    4.    Asador Etxebarri, Atxondo
    5.    Alchemist, Copenhagen
    6.    Maido, Lima
    7.    Lido 84, Gardone Riviera
    8.    Atomix, New York City
    9.    Quintonil, Mexico City
    10.    Table By Bruno Verjus, Paris
    11.    Tresind Studio, Dubai
    12.    A Casa Do Porco, Sao Paulo
    13.    Pujol, Mexico City
    14.    Odette, Singapore
    15.    Le Du, Bangkok
    16.    Reale, Castel Di Sangro
    17.    Gaggan Anand, Bangkok
    18.    Steirereck, Vienna
    19.    Don Julio, Buenos Aires
    20.    Quique Dacosta, Denia
    21.    Den, Tokyo
    22.    Elkano, Getaria
    23.    Kol, London
    24.    Septime, Paris
    25.    Belcanto, Lisbon
    26.    Schloss Schauenstein, Furstenau
    27.    Florilege, Tokyo
    28.    Kjolle, Lima
    29.    Borago, Santiago
    30.    Frantzen, Stockholm
    31.    Mugaritz, San Sebastian
    32.    Hisa Franko, Kobarid
    33.    El Chato, Bogota
    34.    Uliassi, Senigallia
    35.    Ikoyi, London
    36.    Plenitude, Paris
    37.    Sezanne, Tokyo
    38.    The Clove Club, London
    39.    The Jane, Antwerp
    40.    Restaurant Tim Raue, Berlin
    41.    Le Calandre, Rubano
    42.    Piazza Duomo, Alba
    43.    Leo, Bogota
    44.    Le Bernardin, New York City
    45.    Nobelhart & Schmutzig, Berlin
    46.    Orfali Bros Bistro, Dubai
    47.    Mayta, Lima
    48.    La Grenouillere, La Madeleine-sous-Montreuil
    49.    Rosetta, Mexico City
    50.    The Chairman, Hong Kong

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