The gallery’s exhibits include works by recognized foreign artists like Monet and Cezanne as well as works by Chinese artists that date back to the Edo era. Some are part of the personal collection of Shojiro Ishibashi, the late chairman of tire manufacturer Bridgestone.
People pay about US$ 8 to provide the gallery, while kids get free entrance. Additionally, the exhibition makes money through its in-house shop and products sold in its gift shop.
Even though the exhibition you make ends meet, Hiroshi Ishibashi, the founder’s grandson, said he was concerned about the current economic climate.
” I am continually worried about what’s happening in the world. Every time, he tells CNA,” I am collecting data on whether the financial environment may change.”
KEEPING MUSEUMS OPEN
The Cultural Affairs Agency estimates that funds account for less than 7 % of Japanese galleries ‘ income.
The donation amount stands out from funds made elsewhere, such as those made in the United States, where donations can be made up to 38 %.
Many of the profits from Japan’s museums also come from ticket sales, and museums are attempting to increase attendance by appealing to a younger crowd. A large proportion of museum-goers tend to be middle-aged or older.
Galleries say they intend to hold more eminently popular expresses to draw young people’s attention and promote the work of the next generation of musicians.
Making money is never their top priority, according to galleries. Instead, they want to contribute to the society as a whole and pique people’s interest in the arts.
They must also raise enough money, whether it be through donations or enrollment, to preserve their doors open.