” It’s been a dream of mine for a long time to have my song playing in open places, so it’s more special”, she said.
According to her, these activities are fostering a favorable environment for the local music scene.  ,
” When I was growing up, I did n’t see a lot of intention behind the development of the neighborhood music scene.” I see more of that now, and it’s very reassuring to be a part of the field at this time”, said the 23-year-old.
She added that while some native music still has some shame and some people may still have assumptions about its quality, she believes the situation is getting better over time.  ,
She suggested that the songs of the area’s musicians may be made more accessible, for instance, by using a QR code that makes it easier for passengers to check and access more information.  ,
BECOMING A MUSIC State
According to artiste director Dean Augustine, coverage is not the only advantage for native talent, adding that the opportunity also provides better economic prospects for the musicians.  ,
The initiative is influence desire and pique market interest in local songs talent, he said, in addition to paying royalties for airplays.
” When there’s more information and contact and reputation, partners out it will actually begin thinking’ oh, I think people do talk to this. Maybe it’s time ( to ) book them'”, said Mr Augustine, director of Cross Ratio Entertainment.  ,
The goal is to walk Singapore towards a song state, said I Play SG’s Mr Chan.
” Audio, to us, is about personality. It’s about who we are, and it’s a way of presenting that in music, in lyrics, in music, in music. But when we approach the songs, it’s definitely looking at what represents us”, he said.  ,
He noted that there will be more places to listen to local music, saying,” We really want to be that spark where we do n’t even need to require a particular shopping mall or gym to play Singaporean music in the future.” It would be a regular part of Singaporean career.