Narrated simply by Sienna Miller, the docuseries — playing on the BBC in the UK and on the Epix pay channel in the US — interviews Mick Jagger , Keith Richards and Ronnie Wood on camera, while leaving behind the musicians, managers and others with understanding about the band as off-camera voices, keeping the focus squarely at the Stones.
Nicely written, the opening installment (devoted to Jagger, naturally) describes the group as “a link involving the counterculture of the sixties and the commercial modern world. ”
There’s biographical material focusing on their own musical influences, such as how Jagger — the clear innovator and “brand supervisor, ” as one viewer puts it — basically studied Little Rich as he learned learn how to command a stage. That included generating the rock arena experience, as Jon Bon Jovi records, calling his first exposure to those earlier shows “mind-blowing. inch
Jagger insists this individual was actually naïve about the impact associated with his androgynous appear (“I didn’t actually know I was carrying out androgyny”), while Richards credits the Beatles and their burgeoning popularity in the ’60s with making the particular Stones happen.
“Without the Beatles the Stones would never are there, ” he says.
Ever colorful, the Richards hour details their reputation as a “defiant hedonist” and medication abuser, but also the trailblazer who helped create the band’s sound and image — “The model, inch as Slash of Guns ‘N Flowers says, “that most of us rebellious rock guitar players follow. ”
Wood, at the same time, is presented as the glue that kept the Stones with each other after he changed Mick Taylor in the mid-1970s, setting his ego aside to cope with his higher-maintenance companions. The final installment will pay tribute to the late drummer Charlie W, who died in 2021 . “The greatest drummer England offers ever produced, inch Richards says.
Executive manufacturer Steve Condie as well as the four directors may gloss over techniques and excesses associated with the Stones, but the importance is clearly to provide a celebration of the artistry as well as long life as still-rocking septuagenarians.
These decades in the spotlight as well as the ample footage associated with them yield payouts for the filmmakers if not always the associates themselves, who acknowledge that the unrelenting interest is something of a double-edged sword.
“Some individuals can take it, and some people can’t, ” Jagger says, talking about the pressures connected with fame. “It’s a pact with the satan. ”
“My Life Being a Rolling Stone” encourages a degree of compassion for these devils, but mostly, a sense of understanding for decades of a degree of rock wizardry that, with apologies to the song, needs no introduction.
“My Living As a Rolling Stone” premieres Aug. seven on Epix.