How Blackpink’s Lisa helped her White Lotus co-star with his Thai dialogue: She ‘helped a lot’

Thapthimthong and Manobal noted that one of the challenges they faced was keeping the characters ‘ mindsets throughout the blast because of their shared practice of being artists who’ve stepped into the acting industry.

” I feel like there is a level of acting when I sing… But it’s still distinct from’ acting acting’ because in’ acting acting’, you’re jumping in the shoes of someone else for the duration of that whole shot, instead of a three-minute song”, said Thapthimthong.

” You have to stay the same figure. So there are undoubtedly difficulties in that. But there are ways ]of overcoming them ] like reminding oneself ‘ Who are you? ‘,’ What’s happened in this picture?’ or ‘ What’s happened before this landscape?’ so that your personality you maintain the momentum and narrative throughout the entire process.

Manobal then chimed in, sharing her experience:” For me, the challenge was]thinking ] if Mook was in this situation, how is she gonna react or]what is she going to ] say to Gaitok – and not just]thinking about what ] Lisa]would ] usually say”.

” But we had our Thai director who helped us shape]the characters ]”, she added.

This director, in Manobal and Thapthimthong’s opinion, may also make sure Mook and Gaitok communicated using the appropriate form of language.

Quoting the chairman, Manobal recalled:” ‘ Mook is actually close to Gaitok, but don’t state’ ka’ ( a sentence-ending atom to show courtesy in Thai ). Kindly take it out.’ And I’m like’ Oh yeah, I forgot.'”

She added:” Usually, I talk to]Thapthimthong ] the polite way. So I generally say’ ka’ to him. But on set, I often forgot that I’m Mook and he’s Gaitok”.

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Malaysian film Tiger Stripes wins the Grand Prize at Cannes’ Critics’ Week

Starring Zafreen Zairizal, Deena Ezral and Shaheizy Sam, the film tells the story of how 12-year-old Zaffan becomes the first amongst her friends to hit puberty, only to discover a horrifying secret about her body. 

In a statement to the press, jury president Audrey Diwan commended the film, calling it “irreverent and uncompromising”.

“It is content to fully assume its seductive singularity. It was the first film of the selection that we saw. It has passed the test of time.”

Multiple critics have also showered Tiger Stripes with praise, with The Guardian’s Peter Bradshaw writing: “The performances the director gets from her young cast are tremendous and it is terrifically shot.”

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